🏛️ Library services

Introduction

What does the next generation acquisition platform for librarians look like? What functions and features do contemporary librarians expect from their bookshop website? And what do not yet expect, but maybe will in the future?

This page is an overview of the features and functions a contemporary library services website might have. Some illustrated with interactive examples. Below an index of all topics discussed:

  1. Introduction
  2. Design considerations
  3. Users
  4. Search
  5. Messages
  6. Publications
  7. Lists
  8. Orders
  9. Services
  10. News
  11. APIs
  12. Static pages
📖

🎨 Design considerations

Users come in all shapes and sizes. What they expect out of a website, may differ wildly. A French librarian might want to send a list of carefully curated books to another librarian in China, from their smartphone. Another may want to use their text-to-speech application to read out all available antiquarian first editions of Ulysses by James Joyce. A contemporary library services website should take into account most, if not all, of use cases.

Designing with all these use cases in mind can be difficult. But it can also lead to interesting and creative solutions. No system is perfect, but we should try our best to make the website fun and hospitable for everyone. While designing, these four guiding principles should be taken into consideration:

(Something about Web standards)

Accessibility, Usability, Shareability and Internationalization (and equally important: Fun)

Back to top


Accessibility A11Y

  • Devices: older desktops, smartphones, tablets, screen readers, etc.
  • Users: old, young, visually handicapped, voice control
  • Readability: typography tailored to the medium
Further reading:
https://www.a11yproject.com/

⚒️
Usability UX

  • Complex interfaces, but not complicated
  • Clear and simple flows. Where am I coming from, where am I going.
  • Consistent navigation

🖇️
Shareability Sharing == caring

  • Semantic and permanent URLs
  • Email integration

🌍
Internationalization I18N

  • Writing systems: Roman, Cyrillic, Hebrew, Arabic, Chinese, Japanese, Korean, etc.
  • Directionality: left-to-right (LTR), right-to-left (RTL), top-to-bottom (TB-RL), etc.

👥 Users

The most important part of any website are its users. They might be using the website, long after we are done designing it, on a daily basis. Giving them tools to customize and tailor their experience will make them feel more at home. And inclined to come back more often, or even spread the word to colleagues.

Profile:
  • Personal information (Name, e-mail, password, etc.)
  • Avatar / profile picture
  • Remove user
Settings
  • Site themes (Dark mode, high contrast)
  • Language / localization (Latin based (left to right), Arabic?, Chinese?)
  • Readability (Font, font size, colors)
  • Receive mail (newsletters, price updates, promotions)
Superusers / Admins
  • Create/Read/Update/Delete (CRUD) other users
  • Manage other user rights

Back to top

✉️ Messages

Interactivity breathes life into any website. Users should be able to send each other publications or lists. Maybe they want approval to purchase a certain publication by their coworker. Maybe they wish to respond to the list of curated titles they received from a colleague. Users should also be able to communicate with our staff, to discuss orders, price quotes or anyting else. We should enable them to do so right from the library services website itself, without having the hassle of copy-pasting URLs or formatted text into emails.

A dedicated inbox, right on top of every page, is a logical place to expect any incoming messages. Clicking on it to expand it and then clicking through to see details. Notifications might also be sent to an e-mailaddress, in addition to on the website itself.

Back to top

📚 Publications

Our bread and butter is publications. It is what we do best. Monographs, journals, magazine subscriptions, e-books, DVDs, audio CDs, multi-volume sets, pocket books, hardcovers, catalogues, etc. A standard publication should contain the following information and features:

  • Bibliographic information
  • Price & availability
  • Media (Cover image, look inside, promotional material)
  • Order history (if available)
  • Action: Instant order
  • Action: Place on list
  • Action: Share publication (on site or through e-mail)
  • Action: Download bibliographic information as file (MARC21, JSON, PDF)

Back to top

Nu avec Picasso

Quelle est cette main inconnue et surpuissante qui attrape Enki Bilal au beau milieu de la nuit et le projette sur un lit de camp? Quel est ce lieu mystérieux et hanté dans lequel il a atterri? Qui sont ces créatures, minotaure, cheval ou humains déformés, que l'artiste rencontre en essayant de trouver son chemin dans ce labyrinthe sombre et inquiétant? Que lui veulent-elles? Et dans quel état sortira-t-il de cette incroyable nuit? Dans une déambulation hallucinée, Enki Bilal croise tant les personnages de Picasso, ses muses, ses modèles, que le grand maître lui-même et Goya, son idole. Son errance dans les couloirs du Musée Picasso prend la forme d'une rêverie éveillée qui nous fait toucher du doigt l'œuvre du peintre espagnol d'une façon sensorielle et envoûtante, pour aboutir en épiphanie à la présentation de Guernica, la grande toile du maître. [source éditeur]DescriptionBNF

Les musiques de Picasso. [exposition, Paris, Philharmonie de Paris, 3 avril-16 août 2020]

"Au fond quand on parle d'art abstrait, on dit toujours que c'est de la musique. Quand on veut en dire du bien on parle musique. Tout devient musique [.]. Je crois que c'est pour ça que je n'aime pas la musique." Pablo Picasso. Contrairement à cette déclaration volontiers provocatrice, l'observation de l'oeuvre de Picasso dévoile un intérêt considérable pour l'imaginaire musical: des premières scènes de vie gitane aux joueurs de flûte des années 1970, en passant par les saltimbanques musiciens, les Guitares cubistes, les collaborations avec les Ballets russes, les poèmes sonores de l'artiste ou les bacchanales qui colorent après-guerre un nombre infini de toiles, d'oeuvres graphiques, de céramiques et de sculptures, tout son oeuvre est traversé par la musique. Cet ouvrage s'attache à explorer cette dimension, en soulignant notamment l'attachement de l'artiste pour les instruments, son intérêt pour la musique populaire et ses diverses manifestations, les ambiances sonores de spectacles auxquels il aimait assister (cirque, fanfare, corrida), le chant de la poésie, ainsi que la dimension rituelle de la musique.SummaryErasmus

📋 Lists

Think of lists as a combination of playlists and shopping carts. Lists should become the new default way for librarians to compile and share collections. Right now I can think of no way contemporary librarians share their work. They might be proud of their carefully curated collections, but have no way to show them off. Lists should be more than ordinary shopping carts, but still serve as such. "List" deserves a catchier name.

  • List title, subtitle (optional) and description (optional)
  • List of publications
  • Comments for each publication
  • Action: Place order
  • Action: Request price quotation
  • Action: Share list (on site or through e-mail)
  • Action: Download bibliographic information as file (MARC21, JSON, PDF)

Back to top

Early Picasso research project, 04/2021

Created by coworker@library.edu Last modified by staff@library.edu

🛒 Orders

  • Search past orders
  • Order status
  • View invoices (and maybe also pay, right from the website?)
  • Budget information
  • Order statistics
  • Place reorders

Back to top

Example under construction

☎️ Services

  • New title service
  • Approval plans
  • Antiquarian search
  • Outside database search

Back to top

📰 News

  • Keep users updated on new developments
  • Highlight special publications
  • Promotions

Back to top

🛰️ APIs

We should provide librarians with our own APIs, to search our bibliographic database, search and place orders. And also integrate with their APIs. Documentation and settings for this should be on the website.

Back to top

🧱 Static pages

  • Contact information
  • About / Company history
  • Help pages

Back to top